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Written by Tash Aw, originally published in Times Literary Supplement
Feb 03, 2016
Home
Written by Tash Aw, originally published in Times Literary Supplement
Feb 03, 2016
Early in Leila Chudori’s Home, a seemingly minor exchange takes place between Dimas Suryo, an Indonesian activist and political exile in Paris, and Vivienne Deveraux, a young Frenchwoman. We are in the months following the student protests of May 1968, and Vivienne is raging against the “fucked up” state of her country. “To myself”, Dimas reflects:
“I thought that when it came to the state of a nation, she had no idea what ‘fucked up’ meant. Indonesia was rarely covered in the press, not even in leading news media such as Le Monde and Le Figaro. What the typical French person might know is that Indonesia is a country located somewhere in Southeast Asia not too far from Vietnam . . . . Vivienne and her equally agitated friends . . . wouldn’t have heard the names of Indonesia’s political activists who long predated theirs – such as Sukarno, Hatta, Sjahrir and Tan Malaka.”
Read the full article here.