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A Close Reading Of Eka Kurniawan’s Suspense-Building In ‘Man Tiger’

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Man Tiger


Written by Azly Rahman, originally published in Eurasia Review

Jan 14, 2021

The closing lines of this 2016 Man Booker International Prize-nominated novel by Eka Kurniawan reads: “Marry my mother and she’ll be happy.” Anwar Sadat shook his head nervously. and his reply came out brokenly. “That’s impossible, you know I have a wife and daughters,” Something in his face said the proposition was absurd, making what he said next redundant. “Besides, I don’t love your mother.” That was when the tiger came out of Margio, white as swan. (pg, 172) The story of divining and possession, set in the 1950s post-Soekarno Indonesia, about how a young man murdered an old man who was entangled in an all-too-common extra-marital affair began with a simple yet, profound line of storytelling: “On the evening Margio killed Anwar Sadat, Kyai Jahro was blissfully busy with his fishpond.” (pg. 1) In the following paragraphs, I shall discuss Eka Kurniawan’s craft of opening and closing the story and how he built the plot and use the element of suspense.

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