International Writing Program Faces Uncertain Future

The International Writing Program (IWP) at the University of Iowa has long been a cornerstone of global literary exchange, bringing together writers from around the world to share their craft, perspectives, and cultural experiences. Since its founding in 1967, the program has welcomed more than 1,500 poets, novelists, essayists, dramatists, and journalists from over 150 countries—including Indonesia—creating an enduring space for literary dialogue and mutual understanding. For decades, the program has played an essential role in fostering international cooperation through the arts, allowing writers to engage in cross-cultural conversations that go beyond politics and geographical boundaries.

However, this longstanding tradition now faces an uncertain future. In a significant shift, the U.S. Department of State has announced the termination of nearly $1 million in federal funding for the IWP, a decision that has sent ripples through the global literary community. The reasoning behind the move, according to officials, is that the program’s objectives no longer align with national interests. While no further explanation was provided, the impact of this decision is immediate and far-reaching. The loss of funding has forced the program to scale down several key initiatives that have long supported emerging and established writers worldwide. Among the casualties are the summer youth program, the distance learning courses, and the Emerging Voices Mentorship Program, which have all been critical in connecting international writers with readers, mentors, and professional networks. The most significant change, however, is the reduction of the Fall Residency, the International Writing Program’s flagship program, which typically hosts around 30 writers from various countries. In 2025, the cohort will be cut nearly in half, limiting opportunities for international writers to participate.

For many writers, especially those from developing literary scenes, the International Writing Program has served as an invaluable gateway to new audiences, collaborations, and career-defining moments. Over the years, Indonesian writers have been an integral part of this global community, using the residency as a platform to expand their creative horizons and contribute to cross-border literary discussions. The termination of funding threatens not only their future participation but also the rich cultural exchanges that have flourished under the program’s umbrella.

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Some of the Indonesian writers who have previously joined the International Writing Program include Putra Hidayatullah, who participated in the program in 2024. He is the author of Kebun Jagal (The Butcher’s Garden), published in 2023, whose works explore the complexities of human relationships and societal structures. The IWP provided him with an environment to refine his craft, exchange ideas with international peers, and further establish his presence on the global literary stage.

Felix K. Nesi joined the Spring Residency in 2022. An author and literary activist from West Timor, he is known for his novel Orang-Orang Oetimu (People of Oetimu), which won the 2018 Jakarta Arts Council Novel Competition. Through his writing, he highlights social issues in Indonesia, particularly those affecting marginalized communities. His involvement in the IWP allowed him to engage in literary and socio-political discussions with fellow writers from around the world while gaining insights into global storytelling traditions.

Other Indonesian writers who have taken part in the IWP include Faisal Oddang (2018), a prolific novelist whose works explore themes of history, religion, and power in Indonesian society; Yusi Avianto Pareanom (2016), known for his contributions to fiction and publishing; Okky Madasari (2017), acclaimed for her novel The Outcast and for founding the ASEAN Literary Festival; Andrea Hirata (2010), author of the beloved Laskar Pelangi (The Rainbow Troops), who used the residency to expand the reach of his storytelling internationally; Ben Sohib (2019), a novelist and columnist whose works often address urban Muslim identity and multiculturalism; Ayu Utami (2005), recognized for her groundbreaking novel Saman; Laksmi Pamuntjak (2006), whose works span politics, film, food, classical music, and literature; Nirwan Dewanto (2007), a poet, essayist, and cultural critic whose work bridges literature and philosophy; Asma Nadia (2013), a best-selling author and advocate for women’s issues in contemporary Islamic literature; Medy Loekito (2001), a poet and translator with contributions to Indonesian literature and language studies; Arif Bagus Prasetyo (2002), a writer and editor involved in shaping contemporary Indonesian literary criticism; and Nukila Amal (2006), praised for her novel Cala Ibi and the short story collection Laluba.

The IWP’s history with Indonesian literature dates back decades, with notable alumni whose participation highlights the program’s long and dynamic relationship with Indonesia’s literary scene. These include Linus Suryadi AG (1982);  Toeti Herati Noerhadi (1984); Yudistira Massardi (1983); Totilawati Tjitrawasita (1980); S. Sinansari Ecip (1980); Arswendo Atmowiloto (1979); Putu Wijaya (1976); Danarto (1976); Leon Agusta (1976–1977); Sutardji Calzoum Bachri (1974); Abdul Hadi (1973); Satyagraha Hurip (1972); Emha Ainun Nadjib (1981); Ahmad Tohari (1990); Taufiq Ismail (1971, 1991); and Gerson Poyk (1970).

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With the loss of crucial funding, the future of these cross-cultural literary collaborations is now in jeopardy. The IWP has been a crucial space for writers to connect with the world, fostering artistic and intellectual exchanges that benefit not only individuals but also the broader literary community. The reduction in residency slots means that fewer voices from Indonesia and other countries will have the chance to take part in this vital program, limiting the perspectives that can be shared on a global stage.

Despite this setback, the University of Iowa has expressed its commitment to keeping the International Writing Program alive. Efforts are underway to seek alternative funding sources and new partnerships to sustain the program’s operations. The challenge now is whether these efforts will be enough to preserve what has been one of the most influential international literary programs in modern history. For Indonesian writers and their counterparts worldwide, the hope remains that the International Writing Program will continue to serve as a bridge between cultures, fostering creative exchanges that transcend borders and political shifts. The fate of the program now rests in the hands of those who believe in the power of literature to connect people, spark conversations, and build a more inclusive global literary landscape.